Born in Durant, Oklahoma in 1956,
Matthew was one of five children of Atoka dairy farmer Jene and Becky Mungle.
As a boy he can recall seeing Frankenstein, Dracula, and The Mummy. He was
fascinated with the makeup, often times "borrowing" his mother’s
cosmetics to create his own version of horror. As he got older, he would send
away for theatrical makeup from New York and Dallas specialty stores -
experimenting with face casts and prosthetics on willing family members and
friends. Although his parents thought it a phase he would soon outgrow,
Matthew knew differently. In 1964 with the release of "The Seven Faces of
Dr. Lao," Matthew credits the film as having been his greatest influence
and deciding factor in becoming a makeup effects artist.
In 1968, a film that would revolutionize makeup
special effects and further impact the young small town boy from Atoka, was
the release of "Planet of the Apes." It’s hard to say just how
many times Matthew saw the film. What he did know was that he wanted to follow
in the footsteps of his mentors, namely Lon Chaney, Sr., Jack Pierce and now
John Chambers, who won the Academy Award for the specialized makeup effects in
the film.
In high school, Matthew worked at the local movie
theatre. When "Return to the Planet of the Apes" was released, he
encouraged the owner to let him dress up to promote the film. Not only did he
dress the part, but created his own prosthetics to look the part of a
chimpanzee. The realism was so startling to the small town of Atoka, that many
thought Hollywood had sent an actor to hype the film!
Matthew graduated from Atoka High School in
1975. Although his sights were still on Hollywood, at his father’s insistence,
he applied and was accepted into Oklahoma State University as a theatre arts
major. Working with props and make-up for various productions, Matthew readily
absorbed the educational tools being given. He was an eager student, who was
all the more eager to get to Hollywood and begin learning his craft.
Matthew arrived in Hollywood, CA. in the fall of
1977. In 1978 he applied and was accepted into Joe Blasco’s Make-Up Center
-- the premier academy responsible for training many of the film and
television industry’s elite makeup artists. "From the very beginning,
Matthew showed exceptional talent!" claims Blasco, whose own career as a
top makeup artist turned educator, has been instrumental in graduating Academy
Award winners. "I instinctively knew that Matthew had what it takes to
become a success in this business. His dedication to the artform and rapid
ability to master the craft led me to hire him as an instructor following his
graduation from my school in 1978. He stayed on-staff until his own popularity
as a working makeup artist became too demanding.
"Matthew credits Joe Blasco with his
professional start in the industry. "I was a sponge, absorbing every
ounce of knowledge I could. Whether it was learning the techniques of beauty
makeup or casting molds and working with prosthetics, I wanted to be as
versatile as I could." Today, Matthew is a veteran voice to other
up-and-coming artists hoping to find a working niche within the industry.
"If you want to be a makeup artist, then you need to learn and perfect
all areas of the craft."
Matthew’s professional career began on low-budget
projects that taught him to think fast on his feet, to finally achieving his
first major success with EDWARD SCISSORHANDS in 1990. With over 100
film and television projects to date, Matthew has worked on a genre of box
office successes, including BRAM STOKER’S DRACULA, which earned him
his first Oscar in 1992; SCHINDLER’S LIST, giving him another
nomination in 1993; Oliver Stone’s NATURAL BORN KILLERS; creating
Arnold’s pregnancy stomach in JUNIOR; special makeup effects on OUTBREAK;
CONGO; PRIMAL FEAR, and ageing James Woods to 72 in GHOSTS OF
MISSISSIPPI, which earned him his third Oscar nomination in 1996.
Ageing has become one of Matthew’s strongest
calling cards within the industry and an area of makeup effects that’s
definitely the most challenging. His fascination with artificially making
someone young look old prompted him to research more viable methods, such as
with gelatin -- first used in the ‘30’s, but later abandoned when the hot
lights caused it to melt. However, with today’s less intense lighting and
faster film, Matthew has resurrected the nearly transparent substance, which
when applied looks and moves like real skin. "I’ve made it a part of my
career to see how skin moves. I’m intrigued with how women and men age
differently. And they do age differently. Both get jowls and tend to get that
fold of skin over the top lid of the eyes and bags under the eyes. But men’s
ear lobes get longer. Women, on the other hand, their skin gets crepey and
translucent."
Matthew’s skilled expertise in this specialized
area of makeup effects has created a vast field of job opportunities in both
film and television – HBO’s CITIZEN COHN, starring James Woods,
earned him his first Emmy in 1993, followed by another nomination in 1997 for MISS
EVERS’ BOYS. He earned two more nominations in 1998 for WALLACE
(TNT) and ABC’s OLIVER TWIST, and in 1999 for his work on HOUDINI
(TNT). Each year seems to bring yet another award or nomination into the hands
of this very talented makeup effects specialist. The year 2000 was no
exception, as Matthew was the recipient of his local’s first annual Local
706 Makeup and Hair Award for his work on ABC’s THE
BEAT GOES ON.
In 2000, Matthew was brought on board the
Emmy-winning hit TV series, X-FILES for special make-up and prosthetic
designs. A definite coup to his already long list of credits, Matthew entered
the show’s 8th successful season, creating masterful make-up effects and
winning an Emmy in 2001 for the episode, "Dead Alive." Within weeks
of the show’s final episode airing in May of 2002, Matthew was hired to work
on CBS’s C.S.I. MIAMI and PRESIDIO MED.
Film credits include: GIRL INTERRUPTED
(Columbia), THE PERFECT STORM (Warner Bros.), BEDAZZLED with
Brendan Fraser (Fox), PAY IT FORWARD with Kevin Spacey (Warner Bros.)
and THE FAST AND FURIOUS (Universal), to name a few. Recent projects
include Universal’s RED DRAGON, Warner Bros. CRADLE TO THE GRAVE
and Fox’s DAREDEVIL.
Although his work schedule dictates much of his time,
Matthew and business partner, John E. Jackson, also run NU-PRODUCTS,
which manufactures and distributes their own specialty line of make-up effects
products. Housed within their 5,000 sq. ft. state-of-the-art lab, Matthew
enjoys creating a touch of Hollywood illusion for the general public -- from a
wide assortment of teeth, to theatrical makeup, to cuts, to NU-SPECIMEN
alien embryos in a jar, that can be purchased either through mail order or
specialty stores around the world, Matthew and John are enjoying the rewards
of a hobby, turned lucrative business!
Enjoying the educational teaching of his craft,
Matthew continues to supervise the teaching of a special advanced
prosthetics technique course at the world-famous Joe Blasco Make-up Center
in Los Angeles and in September of 1999 conducted a special 3-day seminar on advanced
prosthetics for Screen Training Ireland in Dublin, one of Ireland’s most
recognized schools of make-up. Between his work on films, TV movies and
commercials, Matthew continues to find the time to lecture on makeup special
effects outside the industry. In June, 2000 Cunard invited Matthew to be one
of their guest lecturers aboard the Q.E.II London to New York run, as part of
their Cunard Goes To the Movies lecture series. Comfortable in all
mediums, Matthew brings a style and passion to the camera when discussing his
career and demonstrating his work. Discovery Channel’s Mega, Mega Movie
Magic saw him transform a 12-year-old girl into an 80-year-old woman! BBC’s
Talk of the Town, a highly-rated London magazine show spent 2 days at
Matthew’s lab while he conjured up some eye-catching blood and gore on their
reporter. Additional television segments include: "E! Entertainment
News," "The Morning Show," "Turner
Entertainment Report," "FX Dailies," Japan’s
CH. 5 News Network, CNN’s En Espanol and "Good Day
L.A." Matthew was also interviewed for the behind-the-scenes trailer
for the 8th and 9th season episodes of "X-Files" for video and DVD
release.